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Red Lion Square & Fitzroy Street
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In 1914, Sickert set up new studios in Red Lion Square, Holborn, first at number 24 and then next door at number 26. He installed a printing press at No. 26, which became a productive site for painting and etching war-related compositions. In August 1915, Sickert moved into ‘Whistler’s old studio’ at 8 Fitzroy Street. Whistler had taken the studio in March 1896, and Grant took over from Sickert in 1920; it was destroyed by bombing in 1940.
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The New Bedford (The Large Plate), 1915
Etching and drypoint on wove paper laid on board
Plate: 55.6 x 19.1 cm / 21 1/2 x 7 1/2 in
Sheet: 58.7 x 23.8 cm / 23 1/8 x 9 3/8 in
Third state (of thirteen); Unique proofSold
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The New Bedford (The Large Plate), 1915
Etching and drypoint on wove paper
Plate: 53.5 x 16.5 cm / 21 x 6 1/2 in
Sheet: 62.3 x 31.7 cm / 24 1/8 x 12 1/2 in
Seventh state (of thirteen)Sold
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The New Bedford (The Large Plate), 1915
Etching, drypoint, aquatint and soft-ground etching on wove paper
Plate: 50 x 16.7 cm / 19 5/8 x 6 1/2 in
Sheet: 50.8 x 32.3 cm / 20 x 12 3/4 in
Eighth state (of thirteen); Unique proofSold
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The New Bedford (The Large Plate), 1915
Etching, drypoint, aquatint and soft-ground etching on wove paper
Plate: 53.7 x 16.5 cm / 21 1/8 x 6 1/2 in
Sheet: 64.7 x 25.5 cm / 21 1/4 x 10 in
Ninth state (of thirteen); Unique proofSold
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The New Bedford (The Large Plate), 1915
Etching, drypoint, aquatint and soft-ground etching on wove paper
Plate: 53.7 x 16.5 cm / 21 1/8 x 6 1/2 in
Sheet: 56.5 x 19.8 cm / 22 1/4 x 7 3/4 in
Twelfth state (of thirteen)Sold
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The New Bedford (The Large Plate), 1915
Etching, drypoint, aquatint and soft-ground etching with cancellation marks on wove paper
Plate: 53.9 x 16.5 cm / 21.2 x 6 1/2 in
Sheet: 64 x 25.3 cm / 25 1/4 x 10 in
Thirteenth state (of thirteen)Sold
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