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Drawn to Paper: Giacometti to Hockney

Past exhibition
16 March - 12 May 2023 Piano Nobile
Open a larger version of the following image in a popup: Paul Gauguin, Double-sided sheet of studies of Martiniquais figures, 1887
Open a larger version of the following image in a popup: Paul Gauguin, Double-sided sheet of studies of Martiniquais figures, 1887
Open a larger version of the following image in a popup: Paul Gauguin, Double-sided sheet of studies of Martiniquais figures, 1887
Open a larger version of the following image in a popup: Paul Gauguin, Double-sided sheet of studies of Martiniquais figures, 1887

Paul Gauguin

Double-sided sheet of studies of Martiniquais figures, 1887
Pencil on paper
11.8 x 16.3 cm
4 5/8 x 6 3/8 in
Copyright The Artist
Enquire About Similar Works
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Further images

  • (View a larger image of thumbnail 1 ) Joan Miró, Untitled, 1959
  • (View a larger image of thumbnail 2 ) Joan Miró, Untitled, 1959
  • (View a larger image of thumbnail 3 ) Joan Miró, Untitled, 1959
  • (View a larger image of thumbnail 4 ) Joan Miró, Untitled, 1959
View on a Wall
This sheet of studies was originally part of Gauguin’s now dismantled and dispersedSmall Martinique Sketchbook, which appears to have originally been the property of his Spanish friend, the sculptor Paco...
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This sheet of studies was originally part of Gauguin’s now dismantled and dispersedSmall Martinique Sketchbook, which appears to have originally been the property of his Spanish friend, the sculptor Paco Durrio, whose portrait he painted seated and playing the guitar.

The woman in profile holding a bowl is a study for a figure in the artist’s TropicalConversation (DW 251), a painting last recorded as lot 21 in the sale of Edgar R. Eisner, which was held at Christie’s in New York on May 15, 1985.

The other drawing was used by the artist when he was painting On the Banks of theRiver, Martinique (DW 252), a work Gauguin exchanged in late 1887 or early 1888 with his new friend Vincent van Gogh for two still-life paintings, each depicting a pair of cut and wilted sunflower heads (F375 and F376). These were works that Gauguin had just seen and admired at an exhibition of contemporary art held in the restaurant of the Grand-Bouillon Le Chalet on the Avenue de Clichy in Paris.
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Provenance

Francisco Durrio de Madrón (called Paco Durrio) (1868-1940), Paris

At Hôtel Drouot, Paris, 7 Dec. 1987, lot 77,

Private Collection

Exhibitions

2018, Amsterdam, Van Gogh Museum, Gauguin & Laval in Martinique, 5 Oct. 2018 - 13 Jan. 2019, cat. no. 107

Literature

Daniel Wildenstein with S. Crussard and M. Heudron, Gauguin: premier itinéraire d’un sauvage. Catalogue de l’oeuvre peint (1873-1888), vol. II, Wildenstein Institute, 2001, p. 340 (recto illus.)

Maite van Dijk, Joost van der Hoeven and Sylvie Crussard, Gauguin & Laval in Martinique, exh. cat., Van Gogh Museum, 2018, cat. no. 107, p. 120 (col. illus.)


To be included in the forthcoming Gauguin Digital Catalogue Raisonné, being prepared by Rick Brettell and Sylvie Crussard, under the direction of Guy Wildenstein, and under the sponsorship of The Wildenstein Plattner Institute, Inc.

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