Piano Nobile
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Viewing Room
  • News
  • InSight
  • Publications
  • About
  • Contact
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • Open a larger version of the following image in a popup: Walter Sickert, Patient Merit, 1925
    Open a larger version of the following image in a popup: Walter Sickert, Patient Merit, 1925

    Walter Sickert

    Patient Merit, 1925
    Etching and engraving on paper
    Plate: 13.7 x 8.8 cm / 5 2/5 x 3 1/2 in
    Sheet: 27.2 x 20.3 cm / 10 5/8 x 8 in
    Only state
    Copyright The Artist
    Enquire About Similar Works
    %3Cdiv%20class%3D%22artist%22%3EWalter%20Sickert%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPatient%20Merit%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1925%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EEtching%20and%20engraving%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EPlate%3A%2013.7%20x%208.8%20cm%20/%205%202/5%20x%203%201/2%20in%3Cbr/%3E%0ASheet%3A%2027.2%20x%2020.3%20cm%20/%2010%205/8%20x%208%20in%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EOnly%20state%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Walter Sickert, Patient Merit, 1925
    • (View a larger image of thumbnail 2 ) Walter Sickert, Patient Merit, 1925
    View on a Wall
    The phrase ‘patient merit’ comes from Hamlet’s famous soliloquy, ‘to be, or not to be’. One of Sickert’s party tricks was to perform the play and to deliver the lines...
    Read more
    The phrase ‘patient merit’ comes from Hamlet’s famous soliloquy, ‘to be, or not to be’. One of Sickert’s party tricks was to perform the play and to deliver the lines of not just Hamlet but all the lead parts. This print depicts a woman of humble means in her best clothes, and the lofty sentiment of the title jars with—but does not contradict—the subject. The plumed hat, double-breasted coat and stoical countenance identify the woman as the same model who appeared in paintings and drawings of circa 1912 [Baron 2006, nos. 392, 394]. Sickert apparently rediscovered a drawing of her and reworked it for this print, which was made over a decade later. This impression was printed for and presented by Sickert to his future wife, Thérèse Lessore (‘T.L.’), on Good Friday 1925. They married the following year. Sickert’s inscription describes this as an impression of the ‘first state’, which suggests he intended to rework the plate. Bromberg identified only one state, however. The only related preparatory drawing is in the Walker Art Gallery, Liverpool, and the cancelled plate belongs to Leeds Art Gallery.
    Close full details

    Provenance

    Thérèse Lessore, given by the artist
    Gordon Cooke, London, 1988
    Ruth and Joseph Bromberg
    The Fine Art Society, London, 2004
    The Herbert and Ann Lucas Collection, Los Angeles, June 2004

    Exhibitions

    London, The Leicester Galleries, Etchings and Engravings by Walter Richard Sickert, Oct. 1941, cat. no. 58

    London, Thomas Agnew & Sons, Centenary Exhibition of Etchings & Drawings by W. R. Sickert, 15 March – 14 April 1960, cat. no. 183

    London, The Fine Art Society, The Ruth and Joseph Bromberg Collection of Sickert Prints and Drawings, 21 Sept. – 21 Oct. 2004, cat. no. 160*

    London, Piano Nobile, Sickert: Love, Death & Ennui. The Herbert and Ann Lucas Collection, 26 Sept. – 19 Dec. 2025, no. 80*

    Literature

    Catalogue Two: Prints by Walter Richard Sickert (1860–1942), exh. cat., Gordon Cooke, Oct. 1988, cat. no. 35, n.p. (this impression illus.)*
    Ruth Bromberg, Walter Sickert: Prints: A Catalogue Raisonné, Yale University Press, 2000, cat. no. 217, pp. 276–277 (illus.)*

    The Ruth and Joseph Bromberg Collection of Sickert Prints and Drawings, exh. cat., The Fine Art Society, 2004, cat. no. 160, pp. 130–131 (this impression col. illus.)*

    Wendy Baron, Sickert: Paintings and Drawings, Yale University Press, 2006, cat. no. 394.5, p. 396

    Kate Aspinall, Luke Farey and Stuart Lucas, Sickert: Love, Death & Ennui. The Herbert and Ann Lucas Collection, exh. cat., Piano Nobile, 2025, no. 80, pp. 142–143 (col. illus.)*

    Share
    • Facebook
    • X
    • Pinterest
    • Tumblr
    • Email

 

 

PIANO NOBILE | Robert Travers (Works of Art) Ltd

96 & 129 Portland Road, London, W11 4LW

+44 (0)20 7229 1099  |  info@piano-nobile.com 

Monday – Friday 10am – 6pm 

Saturday & Sunday by appointment only  |  Closed public holidays

 

 Instagram        Join the mailing list   

  View on Google Map

  

Privacy Policy
Manage cookies
Terms & Conditions
Copyright © 2026 Piano Nobile
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences