Walter Sickert
The London Shoreditch, 1920, c.
Etching on laid paper
Plate: 15.1 x 17.7 cm / 6 x 7 in
Sheet: 26.2 x 22.1 cm / 10 1/4 x 8 5/8 in
Sheet: 26.2 x 22.1 cm / 10 1/4 x 8 5/8 in
First state (of three)
Copyright The Artist
Further images
This print depicts a music hall in Shoreditch. The London Music Hall, or just ‘The London’, was also called the Shoreditch Empire. In 1915, Sickert wrote in a letter that...
This print depicts a music hall in Shoreditch. The London Music Hall, or just ‘The London’, was also called the Shoreditch Empire. In 1915, Sickert wrote in a letter that ‘the zeppelins have gutted the “London” Shoreditch which is one of my favourite haunts’. It was only damaged, not destroyed, however, and he later returned to make drawings in early 1920. A related painting is inscribed with that date [Baron 2006, no. 574]. The London Shoreditch print depicts an elevated, oblique view of a performer silhouetted against the stage backdrop of a street. The man stands in a sharply delineated pool of spotlighting, and Sickert returned to a similar subject in That Old-Fashioned Mother of Mine.
Provenance
Ruth and Joseph BrombergThe Fine Art Society, London, 2004
The Herbert and Ann Lucas Collection, Los Angeles, 2005
Exhibitions
London, The Fine Art Society, The Ruth and Joseph Bromberg Collection of Sickert Prints and Drawings, 21 Sept. – 21 Oct. 2004, cat. no. 128*
London, Piano Nobile, Sickert: Love, Death & Ennui. The Herbert and Ann Lucas Collection, 26 Sept. – 19 Dec. 2025, no. 76*Literature
Ruth Bromberg, Walter Sickert: Prints: A Catalogue Raisonné, Yale University Press, 2000, cat. no. 192, p. 238 (illus.)The Ruth and Joseph Bromberg Collection of Sickert Prints and Drawings, exh. cat., The Fine Art Society, 2004, cat. no. 128, p. 110 (this impression col. illus.)*
Wendy Baron, Sickert: Paintings and Drawings, Yale University Press, 2006, cat. no. 575.4, p. 491
Kate Aspinall, Luke Farey and Stuart Lucas, Sickert: Love, Death & Ennui. The Herbert and Ann Lucas Collection, exh. cat., Piano Nobile, 2025, no. 76, pp. 138–139 (col. illus.)*