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Open a larger version of the following image in a popup: Augustus John, The Moor, 1900-05, c.
Open a larger version of the following image in a popup: Augustus John, The Moor, 1900-05, c.

Augustus John

The Moor, 1900-05, c.
Graphite pencil on paper
27 x 22 cm
10 5/8 x 8 5/8 in
Copyright The Artist
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Rebecca John, the granddaughter of Augustus John and the leading specialist on his art, has dated this drawing to c. 1900–05. She believes it was drawn either in Paris or...
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Rebecca John, the granddaughter of Augustus John and the leading specialist on his art, has dated this drawing to c. 1900–05. She believes it was drawn either in Paris or Marseilles. It was apparently made on the same occasion as another drawing of the same sitter, which pictures him from the other side in a similar three-quarter-length view (fig. 1), although the clothing differs slightly between the two drawings.

The Moor was formerly owned by Enaid Jones, who studied at art schools and privately with Philip de Laszlo, before enrolling at the Slade School of Art in 1910. Her fellow students included Dora Carrington, Mark Gertler, David Bomberg, C.R.W. Nevinson, Edward Wadsworth and Stanley Spencer.
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Provenance

Enaid Jones
Private Collection, by descent
At Mallams, Oxford, 7 Dec. 2017, lot 560
Private Collection

Exhibitions

London, Piano Nobile, Augustus John and the First Crisis of Brilliance, 26 April - 13 July 2024, ex-catalogue

Literature

David Boyd Haycock, Augustus John and the First Crisis of Brilliance, exh. cat., Piano Nobile, 2024, p. 15, fig. 4 (col. illus.)
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