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Artworks

Open a larger version of the following image in a popup: Henry Lamb, Portrait of Gola Islander, 1912/13, c.
Open a larger version of the following image in a popup: Henry Lamb, Portrait of Gola Islander, 1912/13, c.

Henry Lamb

Portrait of Gola Islander, 1912/13, c.
Watercolour and black chalk on paper
29 x 23 cm
11 3/8 x 9 in
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After his visits to Brittany Lamb made two trips to north-west Ireland in 1912 and 1913. It was during this time that he visited the tiny island of Gola, off...
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After his visits to Brittany Lamb made two trips to north-west Ireland in 1912 and 1913. It was during this time that he visited the tiny island of Gola, off the coast of Donegal. Like Brittany, Gola was an inspiring environment, speaking of an older, simpler world. Again, Lamb stayed in the home of a local farming family. ‘I find myself in a paradise’, he wrote from there. ‘There are mountains, a lake, rocks, cliffs, caves and white strands: the people are more lovely and even more angelically dispositioned than on the mainland and certainly more sensible.’ He was delighted that they ‘all promise to sit for me. So I should pass a month agreeable enough even if the weather is bad: at present it is brilliant, only too breezy. The wind never drops [...]. This makes outdoor sketching out of the question [...].’

Lamb sent some of the oil portraits he made in Ireland to the third exhibition of the Camden Town Group, which opened in London in December 1912. Two works made during this visit, Head of an Irish Girl and Irish Girls, are now in the Tate collection.
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Provenance

Deborah Devonshire, Duchess of Devonshire
At Sotheby's, London, 2 March 2016, lot 52 (B.I.)
Private Collection

Exhibitions

London, Piano Nobile, Augustus John and the First Crisis of Brilliance, 26 April – 13 July 2024, cat. no. 21

Literature

David Boyd Haycock, Augustus John and the First Crisis of Brilliance, exh. cat., Piano Nobile, 2024, cat. no. 21, pp. 62–63 (col. illus.)
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